The Dark Artists - Witches, Warlocks and Satanists -


Oddball Films and curator Kat Shuchter bring you The Dark Artists - Witches, Warlocks, and Satanists, a program of vintage 16mm netherworld delights with saucy cartoons, lost TV episodes, experimental marvels, satanic smut and more! Ida Lupino directs a witchy episode of Boris Karloff's Thriller - La Strega (1962), starring a then-unknown Ursula Andress who must shake her witchy past to fall in love with a handsome stranger. This tragic romance features palpable chemistry between Andress and Alejandro Rey, Jeanette Nolan's scene-stealing performance as one of the most authentically creepy witches ever with her coven of interpretive dancing witches, and (of course) loving close-ups of Andress' gorgeous face. Kenneth Anger teams up with Anton LeVay for the psychedelic satanic symphony Invocation of my Demon Brother (1969) with music by Mick Jagger. Betty Boop faces off against the horned one in Hell, and brings down the temperature with her icy stare and her seductive dance in the Fleischer Brothers' Red Hot Mamma (1934). George Melies applies his own patented brand of film magic to The Witch's Revenge (1903). The rise of occultism in the late 60s and early 70s led to many "investigations" like the hippy-witchy Occult: X-Factor or Fraud (1973). Burlesque Queen Betty Dolan is half-devil, half-dancer and all delightful in the magnificently costumed mid-century Satan-Tease. A young-witch must cast a spell on her beloved in the lovely poetic short Mantis (1971). Plus! Original trailers for Burn Witch Burn and The Omen, sinful sweets for all and even more satanic surprises for one Devil of a night!

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Date: 
Thursday, October 20th, 2016 at 8:00 pm
Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilms.com or (415) 558-8117










Featuring:

Thriller - La Strega (B+W, 1962, Ida Lupino)
This all-star episode of Boris Karloff's Thriller features a then-unknown Ursula Andress as Luana, a young woman accused of being a witch in a small Italian village in the 19th century.  She is saved from an attempt on her life by a romantic young painter, Antonio (Alejandro Rey) who takes her in.  Romance is in bloom until Luana's grandmother (Jeanette Nolan in a scene-stealing performance), a real witch comes to curse the couple.  The episode is shot beautifully; it's moody and atmospheric with stark contrasts to illuminate Andress' pail beauty and coming from director Ida Lupino, this witchy melodrama has got it all; romance, art, witchcraft, creepy optical hallucinations and even a coven of interpretive dancing witches! 

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The Superstition of the Black Cat (1934, B&W, 10 min)
A black cat crosses the path of a husband and wife who then recount an old story about black cats.  This is the beginning of how people came to believe that having one's path crossed by a black cat is bad luck.  During this flashback, a witch sends her cat to cross paths with two young peasant girls. When the witch captures one of the girls, chaos breaks lose!

The Occult: X-Factor or Fraud  (Color, 1973)

X-Factor or Fraud presents us with self-styled mystical types ranging from earnest believers to hucksters, served up with a generous sprinkling of cheese. It's hippie chic meets old-style hag-tastic, with the motley bunch weighing in all things otherworldly. This camp fest is graced by the grandeur of talk-show-hopping superstar sorceress, Sybil Leek.

The Witch's Revenge (B+W, 1903)
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In trouble with the king for practicing the dark arts, a sorcerer tries to conjure his way out of trouble. His offer to enchant the woman of the ruler's dreams by way of wizardry goes absurdly awry.   

Witch Crafty  (Color, 1955)
Woody Woodpecker's animated anarchy versus witchcraft, what a battle! When a passing witch-in-distress stiffs Woody for the price of a broomstick, our feathered friend employs a bag of cartoon world tricks a witch could never dream of in order to get the crone to cough up his dime.  Any guesses who wins?

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Invocation of My Demon Brother (Color, 1969)
In Invocation of My Demon Brother filmmaker Kenneth Anger creates an altered state of consciousness through the use of cinematic and psycho-spiritual magick techniques.
The film is described by notorious avant-garde filmmaker Kenneth Anger as “An assault on the sensorium” features“underworld powers gathering at a midnight mass to shadow forth Lord Lucifer in a gathering of spirits”. Invocation is a quintessential late 1960 freak-out, containing a montage of drug use, pagan rituals, an albino, stock footage of the Vietnam War, the Rolling Stones in concert and abstract imagery all played  back at various speeds. The film is accompanied by a repetitive, droning Moog musical score created by Mick Jagger. In the words of avant-garde film critic P. Adams Sitney “It is Anger's most metaphysical film: here he eschews literal connections, makes images jar against one another, and does not create a center of gravity through which the collage is to be interpreted... the burden of synthesis falls upon the viewer.” Filmed in San Francisco at the Straight Theater in the Haight and the William Westerfield house on Fulton where Anger resided for a brief time. The film stars Anton LeVay, founder of the Church of Satan and Bobby Beausoleil a former member of the Manson family.

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Betty Boop in Red Hot Mamma (B+W, 1934)

It was a cold and snowy night and Betty is freezing cold in her skimpy nighty, but when she blazes a fire in the fireplace, she finds herself in a cartoon inferno, face to face with the Devil himself, and you know no man is a match for Miss Boop!


Mantis
 (Color, 1971) 

Follow a young witch as she lures a handsome wanderer to her woodland cottage and subdues him with love rituals. This really beautiful (and really rarely seen!) film straddles the line between narrative and poetic films. As short as it is, Mantis leaves you under its spell.



Curator’s Biography


Kat Shuchter is a graduate of UC Berkeley in Film Studies. She is a filmmaker, artist and esoteric film hoarder. She has helped program shows at the PFA, The Nuart and Cinefamily at the Silent Movie Theater and was crowned “Found Footage Queen” of Los Angeles, 2009. She has programmed over 250 shows at Oddball on everything from puberty primers to experimental animation.


About Oddball Films

Oddball Films is a stock footage company providing offbeat and unusual film footage for feature films like The Nice Guys and Milk, documentaries like The Black Panthers: Vanguard of the Revolution, Silicon Valley, Kurt Cobain: The Montage of Heck, television programs like Transparent and Mythbusters, clips for Boing Boing and web projects around the world.

Our screenings are almost exclusively drawn from our collection of over 50,000 16mm prints of animation, commercials, educational films, feature films, movie trailers, medical, industrial military, news out-takes and every genre in between. We’re actively working to present rarely screened genres of cinema as well as avant-garde and ethno-cultural documentaries, which expand the boundaries of cinema. Oddball Films is the largest film archive in Northern California and one of the most unusual private collections in the US. We invite you to join us in our weekly offerings of offbeat cinema.