Featuring:
A Dancer’s World (B+W, 1957, excerpt)
Dancer, Choreographer, and Teacher Martha Graham offers insight into her theories about dance while the members of her world famous troupe display a number of their dance techniques. One of the great artistic forces of the twentieth century, performer, choreographer, and teacher Martha Graham influenced dance worldwide. A Dancer’s World (1957), narrated by Graham herself, in her exalted phraseology replete with quotations from modern poetry, is a glimpse into her class work and methodology. Graham, who was raised in Pennsylvania and California and trained in the decorative and “exotic” dancing dominant in the early decades of the twentieth century, founded her company in New York in 1926 and went on to alter American (and international) dance permanently, bending it to modernism’s severe lines and perilous emotions. “A Dancer’s World” illuminates her innovative style that placed her at the front of the midcentury vanguard. The historian John Mueller called “A Dancer’s World” “one of the most beautiful dance films ever made.”
Merce Cunningham/ Image et technique/Merce Cunningham (B+W, 1964)
A very rare 16mm print, this French-made poetic montage features excerpts of movement pioneer Merce Cunningham’s dance performances shot at the Théâtre de l’Est Parisien and Comédie de Bourges in June 1964. Cunningham, a major figure in 20th century dance collaborates here with life partner and composer John Cage with “found” material sets by Robert Rauschenberg. The film features dancers Raynal, Jackie, Etienne Becker, and Patrice O’Wyers.
Ballet Oop! (Technicolor, 1954)
A charming mid-century UPA short produced by Stephen Bosustow and directed by Robert Cannon. Miss Placement, the tutor of the Hot Foot School of Ballet is told that she has only three weeks before the four new pupils have to perform at the local festival. After an exhausting training regimen, can the girls pull of the performance of their lives and bring fame and acclaim to Hot Foot and Miss Placement or will it end in disaster?
Ballet Adagio (Color, 1972)
A breathtaking piece from brilliant animator and director of the National Film Board of Canada, Norman McLaren. This ethereal short demonstrates the exquisite precision and artistry of the exacting pas de deux adagio with methodical slow-motion that shows every minute body movement of the dancers Anna Marie and David Holmes.
Our films are almost exclusively drawn from our collection of over 50,000 16mm prints of animation, commercials, educational films, feature films, movie trailers, medical, industrial military, news out-takes and every genre in between. We’re actively working to present rarely screened genres of cinema as well as avant-garde and ethno-cultural documentaries, which expand the boundaries of cinema. Oddball Films is the largest film archive in Northern California and one of the most unusual private collections in the US. We invite you to join us in our weekly offerings of offbeat cinema.