Oddball Films Media
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Dec 15, 2013
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Date: Thursday, December 19th, 2013 at 8PM
Venue: Oddball Films, 275 Capp Street, San Francisco
Admission: $10.00, Limited Seating, RSVP to: 415-558-8117 or RSVP@oddballfilm.com
Highlights include:
Polly Tix in Washington (1933, B+W, Charles LaMont)
Shirley Temple later called this film "a cynical exploitation of our childish innocence." In her autobiography Shirley Temple Black recalls the plot: "I was a strumpet on the payroll of the Nipple Trust and Anti-Castor Oil Lobby. Mine was the task of seducing a newly arrived bumpkin senator." This “Baby Burlesk” casts a group of toddlers in adult roles. Temple makes a good stab at Mae West-style banter and the result is cringe-worthy, pre-Code strangeness. Being ambassador to Ghana and Czechoslovakia was never like this!
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| Stellar Fun |
The Mole and the Green Star (1970, Color, Zdenek Miler)
The Mole digs up a glittering gem while Spring cleaning and mistakes it for a star! Determined to return it to its rightful place in the heavens he enlists the aid of his woodland neighbors. But don’t ever trust a magpie with your treasures! Czechoslovakian animation master Zdenek Miler made his delightful Mole cartoons for over twenty years, and they are as enchanting as ever. Features the best ass-kicking by animated robins you’re ever likely to see.
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Stripey, Go Home!
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The New Zebra in Town (1974, Color)
The Yakimo gang is back with a furry lesson in acceptance, from the Forest Town Fables series. The inter-species harmony Forest Town and the puppet inhabitants it's so famous for breaks down when Zabar the Zebra comes to play. When the stranger seems to be besting them at an art project, Coslo and his friends start hating on each other in their own special, squeaky way.
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The Ants are Watching
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Poison in the House (Basil Milovsoroff, Technicolor)
Home is where the heart is, as well as the household cleansers and the medicine cabinet. Who better to warn us of potential poisons than a family of marionette ants, touchingly over-concerned with the well-being of the people who try to kill them? Delightfully offensive and in Technicolor!
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| Awww, Comrade |
Imagination Film (1977, Color)
Soviet Cute-ness! An impossibly darling little girl and her carousel-lion playfriend join forces to chase the winter blahs. Rendered in the sweetest stop-motion you'll ever see, this atmospheric exploration of childhood daydreaming will haunt your Christmas!
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| Mice Make Nice with Rice |
The Rolling Rice Ball (1965, Color, Gakken Films)
Singing and dancing mice! Itty-bitty treasures! Mochi pounding! What more could you want from a stop-motion folktale? When a gentle woodcutter shares his humble lunch with a mouse colony, their magical world opens to him. Boy, do those mice know how to party! Will the good times be undone by a greedy hunter? A classic from Japan.
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| Twee-ty! That’s my Name |
Room and Bird (1951, Color, Fritz Freleng)
If Tweety Bird isn't the cutest character in the Looney Tunes universe, we don’t know who is! Owning a pet canary who has a stalker as manic as Sylvester must make apartment hunting rather hard for Granny. She sneaks her yellow friend into the "pet-free" Spinster Arms Hotel and all the usual Freleng chaos ensues. Non-stop chases, a livid house detective and beautifully rendered backgrounds make this a winner.
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| Lettuce Ramble! |
Adventures of Bunny Rabbit (1984, Color)
A color remake of Encyclopedia Britannica’s 1937 classic! The pairing of live-action nature photography and a storybook style narration are a one-two punch of extreme twee! We meet the new-born Bunny and watch as he grows into a rascally rabbit. Tempted by talk of tender lettuce in the farmer's greenhouse, he goes a-wand’ring and ends up in the world's daintiest jail!
For early arrivals:
The Ball That Wanted To Play (1971, color, 9 minutes)
It’s really very simple: the ball wants to play! As he bounces around a quiet English village, he tries to coax the toys he encounters to come out and have some fun. All prove to be completely uninterested, even a frisky pup! Is there any relief for this frustrated orange sphere?
About the Curator
Lynn Cursaro is a local film blogger. Over the past two decades, she has worked in research and administrative positions a variety of Bay Area film organizations. About Oddball Films
Oddball films is the film component of Oddball Film+Video, a stock footage company providing offbeat and unusual film footage for feature films like Milk, documentaries like The Summer of Love, television programs like Mythbusters, clips for Boing Boing and web projects around the world.
Our films are almost exclusively drawn from our collection of over 50,000 16mm prints of animation, commercials, educationals, feature films, movie trailers, medical, industrial military, news out-takes and every genre in between. We’re actively working to present rarely screened genres of cinema as well as avant-garde and ethno-cultural documentaries, which expand the boundaries of cinema. Oddball Films is the largest film archive in Northern California and one of the most unusual private collections in the US. We invite you to join us in our weekly offerings of offbeat cinema.